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Product description Vanity Fair (Original Motion Picture Soundtrack) - Original Music Composed By Mychael Danna / Decca Audio CD 2004 / 986 3125 UPC 602498631256 /// Mychael Danna (born September 20, 1958) is a Canadian composer of film and television scores. He won both the Golden Globe and Oscar for Best Original Score for Life of Pi. He has also won an Emmy Award for Outstanding Music Composition for a Miniseries, Movie or a Special (Original Dramatic Score) in his work on the miniseries World Without End. /// Label: Decca – 986 3125 Format: CD Country: Europe Released: 2004 Genre: Stage & Screen Style: /// Tracklist: 1 She Walks In Beauty Performer – Sissel 2 Exchange 3 Becky And Amelia Leave School 4 The Great Adventurer Performer – Custer LaRue 5 Becky Arrives At Queen's Crawley 6 Andante 7 No Lights After Eleven 8 Adagio 9 I've Made Up My Mind 10 Ride To London 11 Becky And Rawdon Kiss 12 Sir Pitt's Marriage Proposal 13 I Owe You Nothing 14 Piano For Amelia / Announcement Of Battle 15 Time To Quit Brussels 16 Waterloo Battlefield 17 Amelia Refuses Dobbin / The Move To Mayfair 18 Now Sleeps The Crimson Petal Performer – Custer LaRue 19 Steyne The Pasha 20 El Salaam Performer – Hakim 21 The Virtue Betrayed 22 Rawdon's End 23 Dobbin Leaves Amelia 24 Vanity's Conqueror 25 Gori Re Vocals – Richa Sharma, Shankar Mahadevan Amazon.com William Makepeace Thackery's mid-19th-century meditation on the boundaries of class and gender gets a smartly sympathetic remake via Indian director Mira Nair and Reese Witherspoon, who imbues the story's social-climbing Becky Sharp with some of the same spunky spirit the actress brought to Legally Blonde's equally ambitious Elle. Composer Mychael Danna furthers that sense of era-bridging drama with an orchestral score that sets the story's time and place via effective pastiches of Schubert and Beethoven (that's Danna himself channeling a little Ludwig van on the evocative solo piano passages "Andante" and "Adagio"), yet often fuses them seamlessly with a modern sensibility that helps story's contemporary parallels resonate all the more. The soundtracks four songs revolve around poles of Romantic-era evocations (Danna's stately adaptations of Lord Byron's sonnet "She Walks in Beauty" and the standard "Great Adventurer") and the lively East Asian rhythms of Hakim's "El Salaam" and Mahadevan/Sharma's sprightly duet, "Gori Re." But Danna's masterful infusion of 19th century classical Romanticism with the dry, postmodern instincts of the 21st are the score's most compelling achievements, music that argues that while times and mores have changed, the human spirit remains as stubborn as ever. --Jerry McCulley